Exclusive | Former NYC city of Andy Warhol – where its green paint straps remain on the kitchen floor – requires $ 6.95 million for sale

The house is where art is.

Manhattan Townhouse previously owned by Pop Art Titan Andy Warhol will rank Thursday for $ 6.95 million, marking its first in more than a decade, the post has learned. And she still holds the strange tracks of Warhol’s residence.

This upper east residence, at 1342 Lexington Ave., last changed its hands in 2013 to $ 5.5 million and briefly appeared in December for $ 22,550 a month.

The current owners, who have kept the property as an investment, never called it their home.

Instead, they rented it over the years, said Loy Carlos, the mediator who represents the sale through the Global Office of Nest Seekers International.

“They’re just ready to move on,” Carlos said. “They really like the origin of the house. I think they were very excited when they bought it … At this point they just want to divert some properties.”

The Warhol Incomination in XIX Town Townhouse, designed by the Luminary Architecture Henry J. Hardenbergh-Whose Portfoli includes hotel Plaza and Dakota-is incomprehensible.

From 1960 to 1972, this narrow, 3.072 square meter settlement served as a settlement and studio, where the artist produced some of his most iconic works, including “Campbell soup cans” and portraits of cultural giants such as Muhammad Ali and Marilyn Monroe.

“He lived there at a time when he was more productive and many of his works we know, and are known all over the world, actually became in this house,” Carlos said.

The tracks of Warhol’s era are extended in miraculous detail: a handle of the front door of fashion partly from one of his walking sticks, plus a kitchen stretched with green paint, a garden -level review he used as a studio.

“This is where he received his creative fluids that flow and made art that funded the lifestyle he had for the rest of his life,” Marav Shalhon told New York’s essential real estate, previously told The Post. Shalhon noted that Warhol shared the house with his mother, who famously caught those legendary soup cans from a grocery store – now a crop – beyond the road. “It’s always been a food store in one form or another,” she added.

Built in the 1880s, the premature house with four bedrooms, 4.5 bathrooms reflects a charm of the Bygone era.

Carlos sees it as a parallel suitable with Warhol’s aesthetics.

“I was thinking about Andy Warhol and how his job was what it was. It wasn’t, you know, pretending to be something else. It was getting something that is relatively simple. “This is that kind of home. It has all the beautiful elements architecturally. The space is correct. The layout is correct. You have a pleasant feeling of the house.”

Townhouse’s latest renovation builds modern conveniences with its historical bones. A lounge lobby opens in a panel of wood and a living room with a wood combustion fireplace, while the bedrooms up-to-day with the inuite fire supply baths and closes with custom.

The list highlights a “morning kitchen with bright windows” with high -level applications and a den with a view of a backward Spanish courtyard.

Zoned for direct/work use, property can be turned into an art or office gallery, with double notes that improve its versatility.

For Carlos, the value of the house overcomes its walls, enriching the tapestry of the architectural treasures of Carnegie Hill.

“With these houses in Lex, Avenue Fifth and Park Avenue, etc.

“But I think what we have forgotten in the context of jewelry. When you have a beautiful gem, if you put all these other smaller jewelry … smaller diamonds around it, it shines. It makes it look better.”

Andy Warhol left home in 1972, 15 years before his death at the age of 58 after complications from a gallbladder surgery. Had been his for 15 years. In 1974, after sitting empty for two years, Warhol rented him to his tall business manager and friend Frederick Hughes, who was also finally the Warhol property executor.

A year after Warhol died, Hughes bought property from property for $ 593,500 and stayed there until his death in 2001. After Hughes’s death, his sister sold the residence.

Today, a private family belief owns the residence, and about 150 cats – descendants of Warhol’s fraud friends – still roam in the backyard, Shalhon said.

“It does not see so far away from history and the past than the newest larger buildings without architecture and history,” Carlos said.

“It feels very gracious and charming. And it almost feels like closing your eyes, you can almost visualize Carnegie Hill, where there was a time when children still played outside.”